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When I Get Home is about identity and self expression, what do feel you’ve learnt about yourself through the process of creating it? Peeling off its layers further, we speak to Solange to delve into the core messages at the heart of When I Get Home, and find out how her roots taught her more than any history book ever could. It’s a truth that When I Get Home speaks to, the reassurance and justification of your own identity in a time when the fundamental idea of belonging has been called into question. “It’s essential for museums to recognize the important cultural contributions of artists across disciplines, beyond static artwork that hangs on walls,” says Lauren Argentina Zelaya, the Director of Public Programs at Brooklyn Museum where the film screened last week.“Institutions need to include music, film and video that reflects the contemporary society we live in, and to showcase art and creativity that reflects the lived experiences of people who do not historically feel welcome in museum’s spaces.” In a fitting tribute these screenings started last week in Solange’s hometown of Houston, and the reaction to each has been powerful to witness. In collaboration with WePresent, the extended version of When I Get Home is screening at institutions across the world, from Los Angeles to Paris from now until October. It marks her most personal work to date and has caused cultural ripples through the local community that inspired its creation as well as wider audiences that may never have been to Third Ward, Houston Texas but who feel connected to the stories of home, and the idea of belonging in a time when we are becoming increasingly disconnected from one another. ( we.It has been since she was a child and now, in adulthood, her years worth of experimenting and understanding have culminated in When I Get Home, a multifaceted project and exploration of who she is, where she comes from and what that means.

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For full screenings information see BlackPlanet and download a digital When I Get Home Film Poster from WeTransfer. The extended version of the film is screened exclusively from Jacross partner institutions in USA and Europe. Of black cowboys and honoring her Houston lineage through this visual meditation. The artist returned to her home state of Texas to explore this theme through an expedition of a futurist rodeo, uplifting the narrative When I Get Home is an exploration of origin and spiritual expedition while confronting how much of us we have taken or left behind in our evolutions, and the role of fear in this process. rodeo arena displayed in the desert of Marfa. The film was directed and edited by Solange Knowles with contributing directors Alan Ferguson, Terence Nance, Jacolby Satterwhite, and Ray Tintori, with artist contributions that include Houston-based Autumn Knight and Robert Pruitt and sculptural work by the artist, “Boundless Body” an 8 by 100 ft. The film will premiere across renowned museums and contemporary arts institutions across the USA and Europe from Jbefore closing as part of Chinati Weekend on October 13, 2019. The evening will conclude with an extended director’s cut of Solange’s new film, When I Get Home (2019). The program will include presentations from AD Hoc Cinema, Black Lounge Film Series, Coral Gables Cinema, CosfordĬinema, FilmGate, Flaming Classics, Miami Film Festival, Media + Archival Studies, Oolite, and Third Horizon Film Festival.

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PAMM’s Community Night program, “Art as Film,” features a stellar line-up of selections from Miami’s film producing community through a series of shorts that highlight the best of Miami’s film scene.

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Happiness is when you find out that there are ways to be super cool in the blistering heat of a South Florida summer like the upcoming exclusive screening of the interdisciplinary performance art film When I Get Home (2019) by visual artist and singer/songwriter, Solange Knowles at the Pérez Art Museum Miami (PAMM) for the museum’s free Community Night on Thursday, August 1. Film still from Solange’s new film, When I Get Home (2019).